Flower (jumping in desperation). The heart of stone you have, that's what! (He throws his feet the basket.) Here you are, take the whole damn basket for sixpence.
The clock in the bell tower hit half past eleven.
Higins (heard in this fight for more than a reproach hypocritical cruelty to the poor girl). The voice of God! (Solemnly raises his hat, then throws a handful of coins in the basket and goes behind Pickering.)
Flower (pulling half a crown). Ay ... I ... I ... oh! (Pulls out two florins.) I ... and ... and ... TOC! (Pulls out a few coins.) Th ... th ... th ... ah! (Pulling half a sovereign.) And ... and ... and ... ha ... ha ... ha ... oh!
Freddie (jumping out of a taxi). Finally got! Hello! (Flower). There were two ladies. I do not know where they are?
Flower. And as the rain stopped, so they are to the bus and stomped.
Freddie. Ugliness! And what would I do with a taxi?
Flower (majestically). Do not worry, young man. On your taxi home, I'm going.
Freddy sailed past the car. The driver at her hastily shuts the door. Realizing his doubts, she proudly showed him a handful of coins.
Flower. Vidal, Charlie? Eight pence for us - ha, ugh!
The driver grins and opens the door for her.
Flower. Angel-court, Drury Lane, with the kerosene shop. AND PUSH the entire piece of metal!
With the noise of slamming the door. The taxi moves off.
Freddie. That is the number!
Eleven in the morning. Cabinet Higinsa on Wimpole Street. This is a room on the ground floor, facing the street, was originally designed as the living room. In the middle of the back wall - double door: going through it, you see the right side of the wall two tall file cabinets, standing at right angles to each other. There's also a desk where piled phonograph, laryngoscope battery thin organ pipes with bellows, a number of gas burners under the lamp glass connected with a rubber hose to the gas jet on the wall, a few different sized tuning forks, model of a human head in a life-size, showing the vocal organs in section, and a box with spare wax cylinders for the phonograph.
On the same side - the fireplace; next to it, closer to the door - comfortable leather chair and a box for coal. On the mantel - clock. Between the desk and fireplace - a coffee table.
To the left of the door - cabinet with shallow drawers; it phone and phone book. Almost all of the remaining part of the left corner of the busy grand piano positioned tail to the door; not before the piano stool, as usual, and the bench during the entire length of the keyboard. On the piano a bowl of fruit and sweets, mainly chocolates.
The middle office is empty. Besides chairs, benches and two chairs at the desk in the room is only another chair that does not have a specific destination. Now he pushed up to the fireplace. On the walls of prints, mostly Piranesi, and portraits of mezzotint. Picture No. Pique ring sitting at the table, lays out the places the tuning fork and cards that have just enjoyed. Higins, standing side by side, at the filing, cometh back leveled boxes. Now, in the daylight, it is clear that it is strong, resilient, excellent health man in his forties, wearing a suit, testifying to membership of a particular profession - black coat, starched collar, black silk tie. He is one of those energetic men of science, who are deeply, even passionately interested in everything that can be the subject of research, and at the same time indifferent to themselves and neighbors, and along with their feelings. Despite his age and the impressive complexion, he is, in fact, very similar: to fidget child who loudly and violently reacts to everything that attracted his attention, and for which you need to carefully watch that it is not done trouble. As a child unstable and his behavior: good-natured grouchiness in moments of good mood instantly replaced by his violent outbursts as soon as it something that is not to their liking; but he beshitrosten A direct and that pretty even when obviously wrong.
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